Return of the Prodigal Son A pervading sense of quietness, peace, and clemency gormandize this scene from the biblical parcapable. The prodigal son has incisively returned from squander his inheritance, wearing tattered clothes. His founder stands over him lovingly, tenderly placing his custody on his sons back, while the quondam(a) comrade looks on, arms folded in silent admonition. This was one of Rembrandts terminal pigmentings, completed just a year onwards his death. His throw two sons, both in their twenties, had recently died of the plague. sensation Christian writer, Henri Nouven, happened to see a poster of this samaraing. He was so becharm he travelled to St. Petersburg, Russia, to see it in person. He was able to spend hours alone before this life-sized work. It late touched(p) him so much he wrote an entire book close to it. Id like to quote Sister Wendy Becketts reflection on this painting: Rembrandt shows them lost in a silent i ntimacy, the sons face half hidden, his poor, worn out out(p) shoes falling from his calloused feet, his clothes ragged, his exhaustion palpable.
The overprotects cloak swells out in almost womblike protection, call them in that one-to-oneness that is the essence of all relationships and cannot be judged by anyone else. The elder son looms judgmentally at the side, resentful, as stiff as his staff, a man of legal narrowness instead of love. He receives no embrace because he does not seek it, standing treat from the family. Questions: What emotions are the three main characters (the father, the prodigal son, and t he older brother) billhook at this moment?! Do you think the death of his sons influenced Rembrandt to paint this scene?If you want to get a full essay, club it on our website:
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